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"But do," goes on Violet, in her soft, even monotone, that is so exactly suited to her face. "It is rather pleasant thinking. Confession, you know, is so soothing; and then there are always the dear saints, with their delightful tales of roses and lilies, and tears that turn into drops of healing balm, and their bones that lie in little glass cases in the churches abroad. It is all so picturesque and pretty, like an Italian landscape. And it is so comfortable, too, to know that, no matter how naughty we may be here, we can still get to heaven at last by doing some great and charitable deed." "There," he said, "go and take the flesh of those animals." Then the people tried to do so. They tried to tear the limbs apart, but they could not. They tried to bite pieces out of the bodies, but they could not do that. Old Man went to the edge of the cliff and broke some pieces of stone with sharp edges, and showed them how to cut the flesh with these. Of the buffalo that went over the cliff, some were not dead, but were hurt, so they could not run away. The people cut strips of green hide and tied stones in the middle, and with these hammers broke in the skulls of the buffalo and killed them. "Do you know, Mona," says the young man, sorrowfully, "you are too good for me,—a fellow who has gone racketing all over the world for years. I'm not half worthy of you.".
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Presently he came to another lodge, and the man who owned it came out and spoke to him, asking where he was going. The young man said, "I am looking for my dead wife. I mourn for her so much that I cannot rest. My little boy too keeps crying for his mother. They have offered to give me other wives, but I do not want them. I want the one for whom I am searching." "As you have refused to explain your presence here to me, you shall remain where you now are until help arrives," says Mona, with evident determination. "By Jove, you know, it is odd," says Geoffrey, presently, speaking as one might who has for long been following out a train of thought by no means unpleasant, "his sending for her, and that: there must be something in it. Rodney didn't write to her for nothing. It must have been to——" Here he checks himself abruptly, remembering his promise to Mona to say nothing about the scene in the library. "It certainly means something," he winds up, a little tamely. "Do not fear," said Red Robe, "do not fear, my mother, his anger and his power are no longer to be feared. He is as feeble and as helpless as one of those old bulls one sees on the sunny side of the coulée, spending his last days before the wolves pull him down.".
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