“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. He thought a moment. “Guess not,” he answered. “You’re just as bad,” he continued. “Isn’t it the pale-faced young clergyman with the wavy hair and the beautiful voice that you all flock to hear? No getting away from nature. But it wasn’t only that.” He hesitated.!

They were passing a lamp. Joan had never seen a face look quite so happy as Mary’s looked, just then. Madame Lelanne must have carried her down the ladder. She was standing in the yard, and the dust was choking her. Across the street, beyond the ruins of the hospital, swarms of men were running about like ants when their nest has been disturbed. Some were running this way, and some that. And then they would turn and run back again, making dancing movements round one another and jostling one another. The guns had ceased; and instead, it sounded as if all the babies in the world were playing with their rattles. Suddenly Madame Lelanne reappeared out of the dust, and seizing Joan, dragged her through a dark opening and down a flight of steps, and then left her. She was in a great vaulted cellar. A faint light crept in through a grated window at the other end. There was a long table against the wall, and in front of it a bench. She staggered to it and sat down, leaning against the damp wall. The place was very silent. Suddenly she began to laugh. She tried to stop herself, but couldn’t. And then she heard footsteps descending, and her memory came back to her with a rush. They were German footsteps, she felt sure by the sound: they were so slow and heavy. They should not find her in hysterics, anyhow. She fixed her teeth into the wooden table in front of her and held on to it with clenched hands. She had recovered herself before the footsteps had finished their descent. With a relief that made it difficult for her not to begin laughing again, she found it was Madame Lelanne and Monsieur Dubos. They were carrying something between them. She hardly recognized Dubos at first. His beard was gone, and a line of flaming scars had taken its place. They laid their burden on the table. It was one of the wounded men from the hut. They told her they were bringing down two more. The hut itself had not been hit, but the roof had been torn off by the force of the explosion, and the others had been killed by the falling beams. Joan wanted to return with them, but Madame Lelanne had assumed an air of authority, and told her she would be more useful where she was. From the top of the steps they threw down bundles of straw, on which they laid the wounded men, and Joan tended them, while Madame Lelanne and the little chemist went up and down continuously. Before evening the place, considering all things, was fairly habitable. Madame Lelanne brought down the great stove from the hut; and breaking a pane of glass in the barred window, they fixed it up with its chimney and lighted it. From time to time the turmoil above them would break out again: the rattling, and sometimes a dull rumbling as of rushing water. But only a faint murmur of it penetrated into the cellar. Towards night it became quiet again.

“I want you to be just yourself,” said Joan; “a kind, good woman of the people, who will win their respect, and set them an example.” She moved across and seating herself on the arm of Mrs. Phillips’s chair, touched lightly with her hand the flaxen hair and the rouged cheek. “I want you to get rid of all this,” she whispered. “It isn’t worthy of you. Leave it to the silly dolls and the bad women.” “She’s been kind enough to you,” replied Madge, somewhat irrelevantly. There was a note of irritation in her tone. “I suppose you know you are supremely beautiful. You seem so indifferent to it, I wonder sometimes if you do.” “The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.”