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"I will—when I find it," returns she, with an irrepressible glance, full of native but innocent coquetry, from her beautiful eyes. Once again they are all at the Towers. Doatie and her brother—who had returned to their own home during March and April—have now come back again to Lady Rodney, who is ever anxious to welcome these two with open arms. It is to be a last visit from Doatie as a "graceful maiden with a gentle brow," as Mary Howitt would certainly have called her, next month having been decided upon as the most fitting for transforming Dorothy Darling into Dorothy Lady Rodney. In this thought both she and her betrothed are perfectly happy. "I am glad you have been pleased to-night," says Mona, shyly, abashed by his studied silence. "But," nervously, "Killarney is even more beautiful. You must go there.".
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Breakfast is forgotten; the rolls and the toast and the kidneys are growing cold. Even her own special little square of home-made bread is losing its crispness and falling into a dejected state, which shows almost more than anything else could that Lady Rodney is very far gone indeed. "Oh, no," says Geoffrey, hastily, recovering himself just in time; "she's all right, you know, my mother; and you'll like her awfully when—when you know her, and when—when she knows you." "I am spinning flax for Betty, because she has rheumatism in her poor shoulder, and can do nothing, and this much flax must be finished by a certain time. I have nearly got through my portion now," says Mona; "and then we can go home." Then she accompanies him to the door, but gravely, and not with her accustomed gayety. Standing on the door-step he looks at her, and, as though impelled to ask the question because of her extreme stillness, he says, "Of what are you thinking?".
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