"If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!" "You've diverged uncommonly far!"—Owen laughed back. Fleda, with her hideous crockery and her father's collections, could conceive that these objects, to her visitor's perception even more strongly than to her own, measured the length of the swing from Poynton and Ricks; she was aware too that her high standards figured vividly enough even to Owen's simplicity to make him reflect that West Kensington was a tremendous fall. If she had fallen it was because she had acted for him. She was all the more content he should thus see she had acted, as the cost of it, in his eyes, was none of her own showing. "What seems to have happened," he exclaimed, "is that you've had a row with her and yet not moved her!"!

"What then did she mean to do?" "Of course there are many things she hasn't taken," Fleda continued.

"Not a word." As soon as her sister was married she went down to Mrs. Gereth at Ricks—a promise to this effect having been promptly exacted and given; and her inner vision was much more fixed on the alterations there, complete now, as she understood, than on the success of her plotting and pinching for Maggie's happiness. Her imagination, in the interval, had indeed had plenty to do and numerous scenes to visit; for when on the summons just mentioned it had taken a flight from West Kensington to Ricks, it had hung but an hour over the terrace of painted pots and then yielded to a current of the upper air that swept it straight off to Poynton and to Waterbath. Not a sound had reached her of any supreme clash, and Mrs. Gereth had communicated next to nothing; giving out that, as was easily conceivable, she was too busy, too bitter, and too tired for vain civilities. All she had written was that she had got the new place well in hand and that Fleda would be surprised at the way it was turning out. Everything was even yet upside down; nevertheless, in the sense of having passed the threshold of Poynton for the last time, the amputation, as she called it, had been performed. Her leg had come off—she had now begun to stump along with the lovely wooden substitute; she would stump for life, and what her young friend was to come and admire was the beauty of her movement and the noise she made about the house. The reserve of Poynton and Waterbath had been matched by the austerity of Fleda's own secret, under the discipline of which she had repeated to herself a hundred times a day that she rejoiced at having cares that excluded all thought of it. She had lavished herself, in act, on Maggie and the curate, and had opposed to her father's selfishness a sweetness quite ecstatic. The young couple wondered why they had waited so long, since everything was after all so easy. She had thought of everything, even to how the "quietness" of the wedding should be relieved by champagne and her father kept brilliant on a single bottle. Fleda knew, in short, and liked the knowledge, that for several weeks she had appeared exemplary in every relation of life. Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.