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Then, after a pause, "Where will they bury me?" he asks, suddenly. "Do you think they will put me in the family vault?" He seems to feel some anxiety on this point. The stories here told come down to us from very ancient times. Grandfathers have told them to their grandchildren, and these again to their grandchildren, and so from mouth to mouth, through many generations, they have reached our time. "Very. But for myself I have no voice worth hearing. I sing, you know, a little, which is my misfortune, not my fault; don't you think so?".

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Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability. "Well, so she is; and yet I suppose our expressions are dissimilar. Look here," says Geoffrey, suddenly, as though compelled at the last moment to give her a hint of what is coming. "I want to tell you about her,—my mother I mean: she is all right, you know, in every way, and very charming in general, but just at first one might imagine her a little difficult!" It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips. "'In the midst of life we are in debt,'" says Nolly, solemnly. Which is the best thing he could have said, as it makes them all laugh in spite of their pending misfortunes..