"You plunge me in stupefaction," that lady answered, "and at the same time you terrify me. Your account of Owen is inconceivable, and yet I don't know what to hold on by. He cares for you, it does appear, and yet in the same breath you inform me that nothing is more possible than that he's spending these days at Waterbath. Excuse me if I'm so dull as not to see my way in such darkness. If he's at Waterbath he doesn't care for you. If he cares for you he's not at Waterbath." Fleda took her hand, and her clasp of it was a reiteration of a promise already given. She said nothing, but her silence was an acceptance as responsible as the vow of a nun. The next moment something occurred to her. "I mustn't put myself in your son's way."!

"I am, but you're not!" Owen exclaimed. This stirring speech affected our young lady as if it had been the shake of a tambourine borne towards her from a gypsy dance: her head seemed to go round and she felt a sudden passion in her feet. The emotion, however, was but meagrely expressed in the flatness with which she heard herself presently say: "I'll go to the Registrar now."

"Wouldn't it perhaps after all be better," she asked, "before doing this, to see if we can make his whereabouts certain?" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "Yes, that's what I understood from you at Ricks," said Fleda; "but I haven't repeated it to your mother." She had hated, at Ricks, to talk with him about Mona, but now that scruple was swept away. If he could speak of Mona's visit as fatal, she need at least not pretend not to notice it. It made all the difference that she had tried to assist him and had failed: to give him any faith in her service she must give him all her reasons but one. She must give him, in other words, with a corresponding omission, all Mrs. Gereth's. "You can easily see that, as she dislikes your marriage, anything that may seem to make it less certain works in her favor. Without my telling her, she has suspicions and views that are simply suggested by your delay. Therefore it didn't seem to me right to make them worse. By holding off long enough, she thinks she may put an end to your engagement. If Mona's waiting, she believes she may at last tire Mona out." That, in all conscience, Fleda felt was lucid enough.