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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. "Well, it was perfect: wasn't it, Violet?" Yet does she not triumph over her beaten foe; nay, so different is it with her that she reaches forth her hand to raise her again, and strives by every tender means in her power to obliterate all memory of the unpleasant past..
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Conrad
"I do adore somebody," returns that ingenuous youth, staring openly at Mona, who is taking up the last stitch dropped by Lady Rodney in the little scarlet silk sock she is knitting for Phyllis Carrington's boy. The stories here told come down to us from very ancient times. Grandfathers have told them to their grandchildren, and these again to their grandchildren, and so from mouth to mouth, through many generations, they have reached our time. Mona, not attempting to reason with her again, shakes her head despondingly, and leaves the cabin with Geoffrey at her side. "Well have you got it?" asks he, in a whisper. Mystery seems to encircle them and to make heavy the very air they breathe. In truth, I think it is the veil of secrecy that envelops their small intrigue that makes it so sweet to them. They might be children, so delighted are they with the success of their scheme..
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