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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

The marquis made a sudden spring upwards, and fell lifeless on the bed; the attendants were called in, but he was gone for ever. His last words struck with the force of lightning upon the mind of Ferdinand; they seemed to say that his mother might yet exist. He took the keys, and ordering some of the servants to follow, hastened to the southern building; he proceeded to the tower, and the trapdoor beneath the stair-case was lifted. They all descended into a dark passage, which conducted them through several intricacies to the door of the cell. Ferdinand, in trembling horrible expectation, applied the key; the door opened, and he entered; but what was his surprize when he found no person in the cell! He concluded that he had mistaken the place, and quitted it for further search; but having followed the windings of the passage, by which he entered, without discovering any other door, he returned to a more exact examination of the cell. He now observed the door, which led to the cavern, and he entered upon the avenue, but no person was found there and no voice answered to his call. Having reached the door of the cavern, which was fastened, he returned lost in grief, and meditating upon the last words of the marquis. He now thought that he had mistaken their import, and that the words ''tis possible,' were not meant to apply to the life of the marchioness, he concluded, that the murder had been committed at a distant period; and he resolved, therefore, to have the ground of the cell dug up, and the remains of his mother sought for.,

The ogre had seven daughters, who were still young children. These little ogresses had the most beautiful complexions, as they lived on fresh meat like their father; but they had very small round grey eyes, hooked noses, and very large mouths, with long teeth, exceedingly sharp, and wide apart. They were not very wicked as yet; but they promised to become so, for they already began to bite little children, that they might suck their blood. They had been sent to bed early, and were all seven in a large bed, each wearing a crown of gold on her head. In the same room was another bed of the same size. It was in this bed that the ogre's wife put the seven little boys to sleep, after which she went to bed herself.,

Then visions of pleasure shall float on our sight,

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There came a little pause. Johnny felt somewhat abashed and scarcely knew what to talk about.,

“She had quite a good many—eight big beautiful apples—and six of them hadn’t the least speck of a bruise on them anywhere.”,

Night having come, the Princess went to bed as usual, her little Fretillon lying at her feet, not even stirring one of his paws. Rosette slept soundly, but the wicked nurse kept awake, and went presently to fetch the boatman. She took him into the Princess's room, and together they lifted her up, feather bed, mattress, sheets, coverlet, and all, and threw them into the sea, the Princess all the while so fast asleep, that she never woke. But fortunately, her bed was made of Phœnix-feathers, which are extremely rare, and have the property of always floating on water; so that she was carried along in her bed as in a boat. The water, however, began gradually first to wet her feather bed, then her mattress, and Rosette began to feel uncomfortable, and turned from side to side, and then Fretillon woke up. He had a capital nose, and when he smelt the soles and cod-fish so near, he started barking at them, and this awoke all the other fish, who began swimming about. The bigger ones ran against the Princess's bed, which, not being attached to anything, span round and round like a whirligig. Rosette could not make out what was happening. "Is our boat having a dance on the water?" she said. "I am not accustomed to feeling so uneasy as I am to-night," and all the while Fretillon continued barking, and going on as if he was out of his mind. The wicked nurse and the boatman heard him from afar, and said: "There's that funny little beast drinking our healths with his mistress. Let us make haste to land," for they were now just opposite the town of the King of the Peacocks.,

“Oh! but to think—music! It’s just heavenly to listen to music.”