“Silly!” cries my literal mind. “You are 8:9 A.M. and Greenwich is 8:25 P.M.” For know, gentle reader, the staunchness of the Snark. She is forty-five feet long on the waterline. Her garboard strake is three inches thick; her planking two and one-half inches thick; her deck-planking two inches thick and in all her planking there are no butts. I know, for I ordered that planking especially from Puget Sound. Then the Snark has four water-tight compartments, which is to say that her length is broken by three water-tight bulkheads. Thus, no matter how large a leak the Snark may spring, Only one compartment can fill with water. The other three compartments will keep her afloat, anyway, and, besides, will enable us to mend the leak. There is another virtue in these bulkheads. The last compartment of all, in the very stern, contains six tanks that carry over one thousand gallons of gasolene. Now gasolene is a very dangerous article to carry in bulk on a small craft far out on the wide ocean. But when the six tanks that do not leak are themselves contained in a compartment hermetically sealed off from the rest of the boat, the danger will be seen to be very small indeed.!

Not being tourists, we of the Snark went to Haleakala. On the slopes of that monster mountain there is a cattle ranch of some fifty thousand acres, where we spent the night at an altitude of two thousand feet. The next morning it was boots and saddles, and with cow-boys and packhorses we climbed to Ukulele, a mountain ranch-house, the altitude of which, fifty-five hundred feet, gives a severely temperate climate, compelling blankets at night and a roaring fireplace in the living-room. Ukulele, by the way, is the Hawaiian for “jumping flea” as it is also the Hawaiian for a certain musical instrument that may be likened to a young guitar. It is my opinion that the mountain ranch-house was named after the young guitar. We were not in a hurry, and we spent the day at Ukulele, learnedly discussing altitudes and barometers and shaking our particular barometer whenever any one’s argument stood in need of demonstration. Our barometer was the most graciously acquiescent instrument I have ever seen. Also, we gathered mountain raspberries, large as hen’s eggs and larger, gazed up the pasture-covered lava slopes to the summit of Haleakala, forty-five hundred feet above us, and looked down upon a mighty battle of the clouds that was being fought beneath us, ourselves in the bright sunshine. To begin with, there are the compasses and the setting of the courses. We sailed from Suva on Saturday afternoon, June 6, 1908, and it took us till after dark to run the narrow, reef-ridden passage between the islands of Viti Levu and Mbengha. The open ocean lay before me. There was nothing in the way with the exception of Vatu Leile, a miserable little island that persisted in poking up through the sea some twenty miles to the west-southwest—just where I wanted to go. Of course, it seemed quite simple to avoid it by steering a course that would pass it eight or ten miles to the north. It was a black night, and we were running before the wind. The man at the wheel must be told what direction to steer in order to miss Vatu Leile. But what direction? I turned me to the navigation books. “True Course” I lighted upon. The very thing! What I wanted was the true course. I read eagerly on:

About this time we arrived in the Solomon Islands. No physician would ever recommend the group for invalids or sanitoriums. I spent but little time there ere I really and for the first time in my life comprehended how frail and unstable is human tissue. Our first anchorage was Port Mary, on the island of Santa Anna. The one lone white man, a trader, came alongside. Tom Butler was his name, and he was a beautiful example of what the Solomons can do to a strong man. He lay in his whale-boat with the helplessness of a dying man. No smile and little intelligence illumined his face. He was a sombre death’s-head, too far gone to grin. He, too, had yaws, big ones. We were compelled to drag him over the rail of the Snark. He said that his health was good, that he had not had the fever for some time, and that with the exception of his arm he was all right and trim. His arm appeared to be paralysed. Paralysis he rejected with scorn. He had had it before, and recovered. It was a common native disease on Santa Anna, he said, as he was helped down the companion ladder, his dead arm dropping, bump-bump, from step to step. He was certainly the ghastliest guest we ever entertained, and we’ve had not a few lepers and elephantiasis victims on board. The children’s studies were under the direction of a poor devil employed at the town-hall, who sharpened his pocket-knife on his boots and was famous for his penmanship. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu.