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“This isn’t so bad,” he continued, as he led her into a sunny upper chamber that looked on the mountain in the rear. “And it’ll be all over in a day or so; you’ll see your father,—on the square you will, little kid. Do you think you’ll scream? You’d better not.” He put his hand under her chin to lift her face, and she was glad he wore gloves. It was Mrs. Wopp’s voice. From her remarks one would gather that the rarest perfumes wafted on the winds invoked by Solomon could never seem so sweet to Woppian nostrils as the mingled odor of hay and freshly dug carrots. He threw himself on the bed and wept the bitterest tears he had ever shed in his life, tears of shame. There he lay—hours, he thought—determined to bear his pain and disgrace alone. Yet it was only minutes when he heard his mother in her room, coming!.

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“Moses, I hear yer Par comin’ with the hay,” announced Mrs. Wopp, suddenly. “You’ll hev to go help him with it.” The Prettymans’ white cow was ingeniously shaped and caparisoned to represent “India’s Sacred White Elephant”; and Jackson was the Hindoo leader. This exhibit caused much controversy. The attendant should ride on the neck of the elephant, all agreed to that; but the cow objected; so they compromised by having Jackson walk. The matter of costume for Jackson was not so easily settled, as the differing pictures of sacred elephants presented a variation in the attendants’ garb. May Nell,—who was to be the “Fair Princess of Bombay,”—as soon as she could get a hearing, ended the dispute amicably by suggesting that Jackson be allowed his choice in the matter of dress, an alternative that permitted each disputant to withdraw from the argument with honor. “Now who wants to ride the camel? Who wants to ride the swayin’ tossin’ ship of the desert?” Betty turned to her swarming audience; then to Moses she whispered as though she might be overheard, “You step forward an’ pay me two bits fer a ride.” Moses put a ticket into Betty’s hand and, not to be outdone in bravery, mounted the single-humped camel. Molly forgot her training in the sandy desert and lurched sadly. Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel..