“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” And the insincere, the self-seekers, the self-advertisers! Those who were in the business for even coarser profit! The lime-light lovers who would always say and do the clever, the unexpected thing rather than the useful and the helpful thing: to whom paradox was more than principle.!

There was no forgetting those deep, burning eyes, though the face had changed. The thin red lips still remained its one touch of colour; but the unhealthy whiteness of the skin had given place to a delicate pallor; and the features that had been indistinct had shaped themselves in fine, firm lines. It was a beautiful, arresting face, marred only by the sullen callousness of the dark, clouded eyes. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.

“Do you really think she’ll get over it?” asked Madge. “Or is it one of those things one has to say?” “No, dear,” answered Mary. “It’s only one or two who have nowhere else to go.” “It’s an ugly old thing,” he said.