Hilda! Why had she never thought of it? The whole thing was so obvious. “You ought not to think about yourself. You ought to think only of him and of his work. Nothing else matters.” If she could say that to Joan, what might she not have said to her mother who, so clearly, she divined to be the incubus—the drag upon her father’s career? She could hear the child’s dry, passionate tones—could see Mrs. Phillips’s flabby cheeks grow white—the frightened, staring eyes. Where her father was concerned the child had neither conscience nor compassion. She had waited her time. It was a few days after Hilda’s return to school that Mrs. Phillips had been first taken ill. The village consisted of one long straggling street, following the course of a small stream between two lines of hills. It was on one of the great lines of communication: and troops and war material passed through it, going and coming, in almost endless procession. It served also as a camp of rest. Companies from the trenches would arrive there, generally towards the evening, weary, listless, dull-eyed, many of them staggering like over-driven cattle beneath their mass of burdens. They would fling their accoutrements from them and stand in silent groups till the sergeants and corporals returned to lead them to the barns and out-houses that had been assigned to them, the houses still habitable being mostly reserved for the officers. Like those of most French villages, they were drab, plaster-covered buildings without gardens; but some of them were covered with vines, hiding their ugliness; and the village as a whole, with its groups, here and there, of fine sycamore trees and its great stone fountain in the centre, was picturesque enough. It had twice changed hands, and a part of it was in ruins. From one or two of the more solidly built houses merely the front had fallen, leaving the rooms just as they had always been: the furniture in its accustomed place, the pictures on the walls. They suggested doll’s houses standing open. One wondered when the giant child would come along and close them up. The iron spire of the little church had been hit twice. It stood above the village, twisted into the form of a note of interrogation. In the churchyard many of the graves had been ripped open. Bones and skulls lay scattered about among the shattered tombstones. But, save for a couple of holes in the roof, the body was still intact, and every afternoon a faint, timid-sounding bell called a few villagers and a sprinkling of soldiers to Mass. Most of the inhabitants had fled, but the farmers and shopkeepers had remained. At intervals, the German batteries, searching round with apparent aimlessness, would drop a score or so of shells about the neighbourhood; but the peasant, with an indifference that was almost animal, would still follow his ox-drawn plough; the old, bent crone, muttering curses, still ply the hoe. The proprietors of the tiny épiceries must have been rapidly making their fortunes, considering the prices that they charged the unfortunate poilu, dreaming of some small luxury out of his five sous a day. But as one of them, a stout, smiling lady, explained to Joan, with a gesture: “It is not often that one has a war.”!

“I don’t think she was happy,” answered Joan. “She was at first. As a child, I can remember her singing and laughing about the house, and she liked always to have people about her. Until her illness came. It changed her very much. But my father was gentleness itself, to the end.” “I want to give you something quite expensive, Dad,” she said. “I’ve had my eye on it for years.”

“You feel you must beat that drum,” he suggested. “Beat it louder and louder and louder till all the world shall hear it.” They dined in the great restaurant belonging to the hotel. He was still vastly pleased with himself as he marched up the crowded room with Joan upon his arm. He held himself upright and talked and laughed perhaps louder than an elderly gentleman should. “Swaggering old beggar,” he must have overheard a young sub. mutter as they passed. But he did not seem to mind it. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”