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"Of course not," replied Isabella, in the most truthful manner. "I did not leave the house, and Dido was with me all the time. I expect Maurice was waiting for me, and that David saw him. No doubt they quarreled, and then the death took place." She ran hastily into the house, as though to escape further conversation on a distasteful subject, while Dido, with her eyes on the ground, remained in deep thought. The old negress knew that she was placed in a perilous position, which might be rendered even more so should Isabella speak freely. But of this she had little fear, as by her conversation with Major Jen the girl had gone forward on a path of concealment whence there was now no retreat. Yet Dido was not satisfied. She did not trust those around her, and she was uneasy as to what might be the result of Jen's pertinacity in investigating both the death of Maurice and the disappearance of the body. Thus perplexed it occurred to her to seek out and consult with Dr. Etwald. Patricia looked at her with laughing eyes that gradually grew sober..

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"In that case, she will have to live in Deanminster jail; for there---as sure as I am a living man--Etwald shall find himself before another twelve hours are over his head. And now, my dear young lady," added Jen, rising, "I must leave you, to keep my appointment with the scoundrel. Do not speak of our conversation to anyone!" "It looks sort of whopper-jawed, doesn't it, Miss Pat?" asked David, hesitating. "I can see it's going to be a stunner when it's done, but I guess I'm weak on sculpture anyway. I can't understand it in the green stage." Elinor smiled. "I only started this afternoon while you were in class," she replied, bringing out a fair-sized canvas with a rough charcoal drawing on it. "I'm just blocking in the outlines, as you see; but I've made a little color study that shows you how it will go." "Not she," declared Griffin. "We were all in a blue fit. Not that we old stagers are sorry for the man, but it shocked our sense of what's due him as a teacher. I was fearfully ashamed of Slovinski, but it was fun to see how astounded he looked. He just stood looking at her more quietly than I'd ever seen him look at any one, and then he bowed and asked her if she'd quite finished. Jiminy, but he was polite! We all got a chill. Slovinski sat down, and we took to work again. Benton went on criticizing as if nothing had happened, but we felt mighty queer. Then Bottle Green stooped over to get her paint-box, and up she starts, most tragic-like, with her hand, on her shoulder, and she solemnly announces she's broken her arm.".