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Billy had heard and understood. When his dad sent him one of those "up and away" signals he never questioned its significance. He didn't like listening in secret, but surely he reasoned, a boy had a right to know just what was coming to him. And he knew what was coming to him, all right—a caning from the supple hickory ramrod—maybe! "I don't think it left any mark," Billy stammered. "Anyways, I feel a whole lot better now. It was foolish for me to climb that tall tree. I didn't have to do it." "But they're wild, ain't they and they're game birds?".
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Conrad
They met Lieutenant Tupman of the Saucy brig-of-war, a large, fat, purple, smiling man, with the word grog written in small red veins over his nose and parts of his cheeks: obviously a good-natured, drunken fellow who would fight, no doubt, if a Frenchman opposed him, but who preferred his bed and "The Swan" to frequent sentinel cruisings in his little ship of war. Both gentlemen knew him slightly. They ventured on this occasion to stop and accost him. They asked him if it was true that news of a French cruiser being off the coast had come to hand, and he answered that he had not heard of such a ship being near the coast. The boys slid from the fence, then leaped back as something long and white rose from behind a fallen tree and, with a startled snort, confronted them. "Well, I'll take a chance, Bill." This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..
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