She was sitting in front of the fire in a high-backed chair. She never cared to loll, and the shaded light from the electric sconces upon the mantelpiece illumined her. “Do you still go to the chapel?” she asked him a little hesitatingly.!

“You’ll look after him if anything does happen, won’t you?” The woman’s eyes were pleading with her. They seemed to have grown larger. “You know what I mean, dear, don’t you?” she continued. “It will be such a comfort to me to know that it’s all right.” Joan’s prayers that night, to the accompaniment of Mrs. Munday’s sobs, had a hopeless air of unreality about them. Mrs. Munday’s kiss was cold.

“Quick,” said the doctor. He pushed her in front of him, and she almost fell down a flight of mud-covered steps that led into the earth. She found herself in a long, low gallery, lighted by a dim oil lamp, suspended from the blackened roof. A shelf ran along one side of it, covered with straw. Three men lay there. The straw was soaked with their blood. They had been brought in the night before by the stretcher-bearers. A young surgeon was rearranging their splints and bandages, and redressing their wounds. They would lie there for another hour or so, and then start for their twenty kilometre drive over shell-ridden roads to one or another of the great hospitals at the base. While she was there, two more cases were brought in. The doctor gave but a glance at the first one and then made a sign; and the bearers passed on with him to the further end of the gallery. He seemed to understand, for he gave a low, despairing cry and the tears sprang to his eyes. He was but a boy. The other had a foot torn off. One of the orderlies gave him two round pieces of wood to hold in his hands while the young surgeon cut away the hanging flesh and bound up the stump. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. “It is not only courage,” he said, “that War brings out. It brings out vile things too. Oh, I’m not thinking merely of the Boches. That’s the cant of every nation: that all the heroism is on one side and all the brutality on the other. Take men from anywhere and some of them will be devils. War gives them their opportunity, brings out the beast. Can you wonder at it? You teach a man to plunge a bayonet into the writhing flesh of a fellow human being, and twist it round and round and jamb it further in, while the blood is spurting from him like a fountain. What are you making of him but a beast? A man’s got to be a beast before he can bring himself to do it. I have seen things done by our own men in cold blood, the horror of which will haunt my memory until I die. But of course, we hush it up when it happens to be our own people.”