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Mona obeys, feeling no shrinking from the kindly stout lady who is evidently bent on being "all things" to her. It does occur, perhaps, to her laughter-loving mind that there is a paucity of nose about the duchess, and a rather large amount of "too, too solid flesh;" but she smothers all such iniquitous reflections, and commences to talk with her gayly and naturally. "Come with me. You may kill two grizzly bears," said Cold Maker. A branch of a tree overspreading the water catches his attention. It is not strong, but it suggests itself as a means to the desired end. It is indeed slim to a fault, and unsatisfactory to an alarming degree, but it must do, and Geoffrey, swinging himself up to it, tries it first, and then standing boldly upon it, leans over towards the spot where the fern can be seen..
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"As berries," says Mona, genially. "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not. CHAPTER XXVIII. It is dreary waiting. No sleep comes to her eyes; she barely moves; the dogs slumber drowsily, and moan and start in their sleep, "fighting their battles o'er again," it may be, or anticipating future warfare. Slowly, ominously, the clock strikes twelve. Two hours have slipped into eternity; midnight is at hand!.
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