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"Aren't you?" says Mona, in her tender fashion, that implies so kind a doubt. Raising one hand (the other is imprisoned), she draws his face down to her own. "I wouldn't have you altered in any way," she says; "not in the smallest matter. As you are, you are so dear to me you could not be dearer; and I love you now, and I shall always love you, with all my heart and soul." Her lips part. An expression that is half gladness, half amusement, brightens her eyes. He raises his hat, and, turning abruptly away, is soon lost to sight round a curve in the winding pathway. He walks steadily and with an unflinching air, but when the curve has hidden him from her eyes he stops short, and sighs heavily..

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"That isn't her name at all," says Geoffrey. "My father was a baronet, you know: she is Lady Rodney." "You would have been her henchman,—is that right, Nicholas?—or her varlet," says Dorothy, with conviction, "And you would have had to stain your skin, and go round with a cross-bow, and with your mouth widened from ear to ear to give you the correct look. All æsthetic people have wide mouths, have they not, Nicholas?" "Is—is Violet Mansergh a pretty girl?" asks Mona, grasping instinctively at the fact that any one called Violet Mansergh may be a possible rival. "Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance.".