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"She lives at Uphill Cottage, and lay in of a very fine baby a fortnight yesterday, and has done very poorly since. You cannot tell me how she does?" She was dressed, of course, in the costume in which she had been kidnapped, and like the sailors she looked very much the worse for wear and tear. Her jockey-shaped hat, so modish and even rakish when purchased, had fallen into a confusion of headgear, a something that might have wanted a name had it been found on the highway. Her hair looked wild in the inartistic dressing it suffered from. Her rich and characteristic bloom had faded, and what lingered was but[Pg 360] as a delicate faint flush of expiring sunset. But even as she stood, not the most cynical and aspish of her own sex would have challenged her beauty, the charms of her figure, the melting sweetness of her eyes on whose dark-brown irids the white lids, rich in eyelash, reposed. Those eyes were wet now, and tears were upon her cheeks. "Hello," Anson accosted. "Goin' to school?".
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"I will send a boat aboard of you!" was the shout which immediately followed Weaver's response. "Shorten sail, or shake the way out of her as you please!" "All right," gruffly assented his companion, "if you're so cock sure, it suits me all right. Come on; let's get out of this cussed woods. Remember we've got some work before us tonight." Mr Pledge walked the deck in charge of the watch. When Mr Lawrence appeared[Pg 309] Pledge saluted him in man-o'-war style, but Mr Lawrence's policy towards Pledge was the same as his policy towards Eagle. He would not sit at meals with him, or have anything to say to him outside the necessities of strict discipline and the ship's routine. Pledge saw pride, haughtiness, and contempt in the handsome face that was turned to him when Mr Lawrence condescended to ask a few questions about the ship's rate of going, and the like. But this much the Captain added: "Did you ever serve in a man-o'-war, sir?" Mr Lawrence approached the figure of the young lady sobbing against the bulkhead, and placed his hand lightly upon her shoulder. She shook him off with a passionate convulsion of her whole form, which was full of disgust, aversion, and contemptuous wrath. It was a masterpiece of movement, eloquent in the highest possible degree of what she chose him to believe was in her mind. Her mother, Mrs Kitty O'Hara, had been famous for her artful strokes in this way. No actress surpassed her, and few were the equals of Mrs O'Hara in the remarkable gift of personification of passion by action..
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