That she desired to ask no questions Mrs. Gereth conscientiously proved by closing her lips tight after Fleda had gone to London. No letter from Ricks arrived at West Kensington, and Fleda, with nothing to communicate that could be to the taste of either party, forbore to open a correspondence. If her heart had been less heavy she might have been amused to perceive how much rope this reticence of Ricks seemed to signify to her that she could take. She had at all events no good news for her friend save in the sense that her silence was not bad news. She was not yet in a position to write that she had "cut in;" but neither, on the other hand, had she gathered material for announcing that Mona was undisseverable from her prey. She had made no use of the pen so glorified by Mrs. Gereth to wake up the echoes of Waterbath; she had sedulously abstained from inquiring what in any quarter, far or near, was said or suggested or supposed. She only spent a matutinal penny on "The Morning Post;" she only saw, on each occasion, that that inspired sheet had as little to say about the imminence as about the abandonment of certain nuptials. It was at the same time obvious that Mrs. Gereth triumphed on these occasions much more than she trembled, and that with a few such triumphs repeated she would cease to tremble at all. What was most manifest, however, was that she had had a rare preconception of the circumstances that would have ministered, had Fleda been disposed, to the girl's cutting in. It was brought home to Fleda that these circumstances would have particularly favored intervention; she was quickly forced to do them a secret justice. One of the effects of her intimacy with Mrs. Gereth was that she had quite lost all sense of intimacy with any one else. The lady of Ricks had made a desert around her, possessing and absorbing her so utterly that other partakers had fallen away. Hadn't she been admonished, months before, that people considered they had lost her and were reconciled on the whole to the privation? Her present position in the great unconscious town defined itself as obscure: she regarded it at any rate with eyes suspicious of that lesson. She neither wrote notes nor received them; she indulged in no reminders nor knocked at any doors; she wandered vaguely in the western wilderness or cultivated shy forms of that "household art" for which she had had a respect before tasting the bitter tree of knowledge. Her only plan was to be as quiet as a mouse, and when she failed in the attempt to lose herself in the flat suburb she felt like a lonely fly crawling over a dusty chart. Mrs. Gereth considered an instant. "Oh, the lawyers!" she exclaimed lightly. Seated there almost cosily in the reddening winter sunset, only with her shoulders raised a little and her mantle tightened as if from a slight chill, she had never yet looked to Fleda so much in possession nor so far from meeting unsuspectedness halfway. "Is he going to send them down here?"!

"I haven't the least idea," Fleda repeated. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

"Alone?" "Very true, you've done it all yourself." Fleda spoke gravely and gently, without a breath of coquetry. "But those are shades between which she's probably not obliged to distinguish. It's enough for her that we're singularly intimate." "I dare say she won't like it at all."