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"Well, Jack is home by this time, I suppose,—that's my second brother; at least he was expected yesterday; and Violet Mansergh is very often there; and as a rule, you know, there is always somebody; and that's all." "Not very soon. But some time, of course, I must go." "Because I could not bear to think any one was made unhappy by me. It would seem as though some evil eye was resting on our love," says Mona, raising her thoughtful, earnest eyes to his. "It must be a sad thing when our happiness causes the misery of others.".

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He, too, looks at her. The same thought fills them both. As they are together there in the water, so (pray they) "may we be together in life." This hope is sweet almost to solemnity. "My dear fellow, you have overworked your brain," he says, ironically: "You don't understand me. I am not tired of her. I shall never cease to bless the day I saw her,"—this with great earnestness,—"but you say I have married the handsomest woman in England, and she is not English at all." He has stooped very much over indeed. His hand is on the fern; he has safely carefully extracted it, roots and all (one would think I was speaking of a tooth! but this is by the way), from its native home, when cr-r-k goes something; the branch on which he rests betrays him, and smashing hurls him head downwards into the swift but shallow stream below. Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..