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Yet Violet, with her pretty, slow, trainante voice and perfect manner, and small pale attractive face, and great eyes that seem too earnest for the fragile body to which they belong, is as naught before Mona, whose beauty is strong and undeniable, and whose charm lies as much in inward grace as in outward loveliness. To the old women Kŭt-o-yĭs´ then said, "Now, grandmothers, where are there any more people? I want to travel about and see them." "Are you one of the others?".
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"Shot himself! How?" she says, hoarsely, her bosom rising and falling tumultuously. "Jenkins, answer me." "Jack Foster and Terry O'Brien write to me very often," goes on Mona, unconsciously. "And indeed they all do occasionally, at Christmas, you know, and Easter and Midsummer, just to ask me how I am, and to tell me how they have got through their exams. But it is Jack and Terry, for the most part, who send me the music." It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips. "My dear, I behaved badly to you in that matter. Let me tell Oliver to call you Mrs. Rodney for the future. It is your proper name.".
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