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Geoffrey and Mona go up the road with the serenader behind them, and, turning aside, she guiding, mount a stile, and, striking across a field, make straight for the high hill that conceals the ocean from the farm. Over many fields they travel, until at length they reach the mountain's summit and gaze down upon the beauteous scene below. "Speak, then," said the girl. "Were they brown?".
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Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet. Now, the son-in-law was a person of much mysterious power, and he kept the buffalo hidden under a big log-jam in the river. Whenever he needed food and wished to kill anything, he would take his father-in-law with him to help. He would send the old man out to stamp on the log-jam and frighten the buffalo, and when they ran out from under it the young man would shoot one or two with his arrows, never killing more than he needed. But often he gave the old people nothing at all to eat. They were hungry all the time, and at length they began to grow thin and weak. "It is pretty, I think," she says. "The duke," with a grave look, "gave it to me just two years after my son was born." "Oh, to think Geoffrey should marry 'a good girl'!" she says, weeping sadly. "One would think you were speaking of a servant! Oh! it is too cruel!" Here she rises and makes for the door, but on the threshold pauses to confront Sir Nicholas with angry eyes. "To hope the wretched boy had married 'a good girl'!" she says, indignantly: "I never heard such an inhuman wish from one brother to another!".
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