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"Gosh! ain't he a terror?" Maurice exclaimed. "Say, why don't you put him in the menagerie?",

Something like a sigh escaped the man who listened to this edict. He took a lagging step or two forward.,

In one hand he carried a huge butcher-knife, in the other a long whetstone. More big knives glittered in the leather belt about his waist. "Jest sharpenin' my knives ag'in the hog-killin'," he explained, noting the stranger's startled look.,

Mr Short said grace, and prayed for the King and Royal Family, and for the utter ruin and confusion of the French, Spanish, and all our enemies. In two or three places the walls were adorned by maps, with which no navigator of this age would dare to risk his life fifty miles out of sight of land. A spinet stood in a corner; it was sometimes customary when the ordinary was ended and the sentiments had been brought to a conclusion for any one who could perform, to sit down to this spinet and accompany any gentleman who was good enough to oblige. But it was always understood that the song must carry a chorus which everybody present knew so that everybody present might join in it, hence the same old melodies were very often heard in that long room with the low ceiling, and its clock whose voice was audible all over the house at night.

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"Go 'long in and tackle it while it's hot," advised Landon. "I'll start in on pluckin' these birds. But first we'll have to let Chick see 'em. Say, Billy, they're nigh as big as tame 'uns!",

Maurice waited hopefully until his mother and Mrs. Wilson came out again. Then he turned eagerly towards them.,

"Had my supper," shouted Billy. He threw the kindling into the wood box and grinned encouragement at Maurice, who had sunk miserably down on a stool.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.