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Yet Violet, with her pretty, slow, trainante voice and perfect manner, and small pale attractive face, and great eyes that seem too earnest for the fragile body to which they belong, is as naught before Mona, whose beauty is strong and undeniable, and whose charm lies as much in inward grace as in outward loveliness. A strange feeling of shyness is weighing upon her. Her stalwart English lover is standing close beside her, having risen from his chair with his eyes on hers, and in his shirt-sleeves looking more than usually handsome because of his pallor, and because of the dark circles that, lying beneath his eyes, throw out their color, making them darker, deeper, than is their nature. How shall she bare the arm of this young Adonis?—how help to heal his wound? Oh, Larry Moloney, what hast thou not got to answer for! "You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?".
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Conrad
Mona pours out the tea—which is excellent—and puts in the cream—which is a thing to dream of—with a liberal hand. She smiles at Geoffrey across the sugar-bowl, and chatters to him over the big bowl of flowers that lies in the centre of the table. Not a hothouse bouquet faultlessly arranged, by any means, but a great, tender, happy, straggling bunch of flowers that seem to have fallen into their places of their own accord, regardless of coloring, and fill the room with their perfume. "You are an artiste," says Geoffrey, with a deep sigh when she has finished. "Who taught you, child? But there is no use in such a question. Nobody could teach it to you: you must feel it as you sing. And yet you are scarcely to be envied. Your singing has betrayed to me one thing: if ever you suffer any great trouble it will kill you." Mīka´pi was glad. Here had come to him one of the tribe he was seeking, yet he thought it better to wait for a time before fighting him; so when, in signs, the Snake asked Mīka´pi who he was he replied, by making the sign for paddling a canoe, that he was a River person, for he knew that the Snakes and the River people, or Pend d'Oreilles, were at peace. Then the two lay down for the night, but Mīka´pi did not sleep. Through the long night he watched for the first light, so that he might kill his enemy; and just at daybreak Mīka´pi, without noise, strung his bow, fitted an arrow to the string, and sent the thin shaft through his enemy's heart. The Snake half rose up and fell back dead. Mīka´pi scalped him, took his bow and arrows and his bundle of moccasins, and went out of the cave and looked all about. Daylight had come, but no one was in sight. Perhaps, like himself, the Snake had gone to war alone. Mīka´pi did not forget to be careful because he had been fortunate. He travelled only a little way, and then hid himself and waited for night before going on. After drinking from the river he ate and, climbing up on a high rock wall, he slept. "Maybe," says Betty Corcoran, turning in a genial fashion to Mona and Geoffrey, "ye'd ate a pratie, would ye, now? They're raal nice an' floury. Ye must be hungry, Miss Mona, afther all the work ye've gone through; an' if you an' your gintleman would condescind to the like of my dinner, 'tis ready for ye, an' welcome ye are to it. Do, now!" heartily. "The praties is gran' this year,—praises be for all mercies. Amen.".
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