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When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone. Moses came bearing an achievement of spicy, opaque amber supported and surrounded by tantalizing, toast-brown crust. Before the expectant Mr. Wopp, however, had time to note these details, there was a quick rush of a small black and white object, a crash, some ear-splitting howls, as Moses, pie, Jethro, and one of Mrs. Wopp’s best blue dinner plates were precipitated against Mr. Wopp’s legs. Down his Sunday trousers meandered a yellow glacier which Mrs. Wopp regarded with dismay. Lila Williams, with her dark curls falling over a pale blue gingham dress, stood watching the proceedings with impatience. She was yearning to burst into speech. As soon as St. Elmo’s cries were reduced to intermittent gum-droppy sobs she turned to Betty, and looking up trustfully into her brown eyes, she launched forth..

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Mrs. Newman smiled knowingly; she was familiar with his type, here to-day and gone to-morrow, with falling in love a convenient habit to give zest to the round of vaudeville performances. Mr. Zalhambra caught her smile of incredulity and murmured, “This time it is really fatal.” In a cage of wire netting bearing the legend, “The Roc—The Egg,” the uncomfortable gander swayed and craned his neck; and all but his voice was satisfactory. In the bottom of the cage a whitewashed stone the size of a small pumpkin did duty as the egg. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. CHAPTER XIV IN THE HAUNTED HOUSE.