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Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers. "How, my Lord Marquis," exclaimed the King, "this castle belongs to you? Nothing could be finer than this courtyard, and all these buildings which surround it. Let us see the inside of it, if you please." "No one is stupid, who believes himself to be wanting in intelligence, it is the fool who is not aware of being without it." "Eat, Beauty," said the monster to her, "and try to find pleasure in your own house; for everything here belongs to you. I should be very sorry if you were unhappy." "You are everything that is kind," said Beauty. "I assure you that your goodness of heart makes me happy; when I think of that, you no longer appear so ugly to me." "Ah, yes!" replied the Beast, "I have a kind heart, but for all that I am a monster." "Many men are more monsters than you," said Beauty; "and I care more for you with your countenance, than for those who with their human face hide a false, corrupt, and ungrateful heart." "If I had sufficient wit," responded the Beast, "I would make you a pretty answer in return for your words; but I am too stupid for that, and all I can say is, that I am very grateful to you.".

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Who else could help? The wind whistled in his ears and he was choked by the rapid ascent, yet the sensation was not entirely unpleasant. It was like riding in the fastest elevator he’d ever been in—at triple the speed. Was he to die, trapped like a rat? Was this the end of his adventure? It looked very much like it. But something would not let him give up. He would make one more attempt for his life and liberty. During the absence of the marquis from his castle, Ferdinand, who had been informed of the discovery of Julia, effected his escape from imprisonment, and had hastened to the monastery in the design of rescuing her. He had passed the woods in disguise, with much difficulty eluding the observation of the marquis's people, who were yet dispersed round the abbey. To the monastery, as he came alone, he had been admitted without difficulty..