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"'Tis I've bin prayin' for ye," says Biddy, taking her mistress's hand and kissing it fondly. "On me bended knees I was with the blessid beads for the last two hours. An' shure I've had me reward, now I see ye safe home agin. But indeed, Miss Mona, 'tis a sore time I've had uv it." Violet is growing as nearly frightened as good breeding will permit at the protracted sobbing, when Sir Nicholas speaks. Rodney, standing beside her, watches her anxiously. She throws up her head, and pushes back her hair, and strains her eyes eagerly into the darkness, that not all the moonbeams can make less than night..

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"I don't understand you," says Geoffrey, still rather hotly. "I quite forgot it," she says, coloring with sudden fear, and then slowly, cautiously, she draws up to view the hated pistol he had left in the library the night before. She holds it out to him at arm's length, as though it is some noisome reptile, as doubtless indeed she considers it. "Take it," she says; "take it quickly. I brought it to you, meaning to return it. Good gracious! fancy my forgetting it! Why, it might have gone off and killed me, and I should have been none the wiser." To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all. "Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown..