Mrs. Gereth, holding her mantle together, appeared for a while to consider. Owen was baffled but a few seconds; he had thought of everything. "Why, that's just where you come in."!

"Oh, of course she likes everything that's nice." And Owen, who constitutionally disliked questions—an answer was almost as hateful to him as a "trick" to a big dog—smiled kindly at Fleda and conveyed that she would understand what he meant even if his mother didn't. Fleda, however, mainly understood that Mrs. Gereth, with an odd, wild laugh, held her so hard that she hurt her. "You've seen Mr. Owen"—Mrs. Gereth concurred. She put down her cup and sank into a chair, in which she leaned back, resting her head and gazing at her young friend. "Yes, I did tell you a while ago that for you I'd do it. But you haven't told me yet what you'll do in return."

Her gesture of resignation gave him a pretext for catching at her hand, but before he could take it she had put it behind her. They had been seated together on Maggie's single sofa, and her movement brought her to her feet, while Owen, looking at her reproachfully, leaned back in discouragement. "What good does it do me to be here when I find you only a stone?" Fleda knew exactly how much worse, but she felt a delicacy about explicitly assenting: she was already immersed moreover in the deep consideration of what might make "Mummy" better. She couldn't see as yet at all; she could only clutch at the hope of some inspiration after he should go. Oh, there was a remedy, to be sure, but it was out of the question; in spite of which, in the strong light of Owen's troubled presence, of his anxious face and restless step, it hung there before her for some minutes. She felt that, remarkably, beneath the decent rigor of his errand, the poor young man, for reasons, for weariness, for disgust, would have been ready not to insist. His fitness to fight his mother had left him—he wasn't in fighting trim. He had no natural avidity and even no special wrath; he had none that had not been taught him, and it was doing his best to learn the lesson that had made him so sick. He had his delicacies, but he hid them away like presents before Christmas. He was hollow, perfunctory, pathetic; he had been girded by another hand. That hand had naturally been Mona's, and it was heavy even now on his strong, broad back. Why then had he originally rejoiced so in its touch? Fleda dashed aside this question, for it had nothing to do with her problem. Her problem was to help him to live as a gentleman and carry through what he had undertaken; her problem was to reinstate him in his rights. It was quite irrelevant that Mona had no intelligence of what she had lost—quite irrelevant that she was moved not by the privation, but by the insult: she had every reason to be moved, though she was so much more movable, in the vindictive way, at any rate, than one might have supposed—assuredly more than Owen himself had imagined. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"