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"Pa," said Billy, "would you mind comin' to the woodshed an' lookin' over my open water decoys. I've been restringin' 'em, an' weightin' the canvasbacks an' redheads, an' givin' the bluebills a fresh coat o' paint. I'd like to know what you think of my job." play golden number 1, "Naw, can't you see if we told our dads that, they'd want 'a know what you an' me was doin' out in Scroggie's bush in the rain, at that hour of the night? No siree, we won't say a word 'bout it."

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Enjoy voice and video play golden number 1 Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?.
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