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“Doh, re, mi, fah, soh, la, ti, doh,” sang the children in faint uncertain tones. CHAPTER III.—A DAY AT SCHOOL. Lastly came Moses’ turn to pay the admission fee, and with a shame-faced expression he dropped several silver coins into the box held in Betty’s hand. Her face was a study in feminine triumph as Moses mumbled, “I aint got no carrots, so here’s my pay to git in ter yer little ole show.”.

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Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. Pat Bliggins approached the receptacle and deposited a prodigiously overgrown, forked, dusty carrot, miraculously endowed with powers of emotion, for several wrinkles beneath its green feathery top betrayed extreme agitation. This threatened catastrophe had considerable weight with St. Elmo who, in spite of Betty’s discouraging words, still had a lurking hope that he too might be privileged to see the “faywies” some day. Although he was badly handicapped in being a boy, yet in some miraculous manner there might be an exception made in his favor. “An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative..