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"Well, just one moment," says Geoffrey, detaining her, "let us finish what we were saying. Would you rather go to the East or to Rome?" "What a funny boy you are!" says Mona, with a little laugh. All day long, and often far into the night, these two sat on a near-by hill and wailed, and their mourning was sad..

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He is evidently quite exhausted. His brow is moist, his eyes are sunken, his lips more pallid, more death-like than they were before. In little painful gasps his breath comes fitfully. Then all at once it occurs to Mona that though he is looking at her he does not see her. His mind has wandered far away to those earlier days when England was unknown and when the free life of the colony was all he desired. "Ai," replied Mā-mĭn´, "I do love you; only you. All the other young men pass before me as shadows. I scarcely see them, but I cannot do what you ask. I cannot go away and leave my mother to mourn; she who loves me so well. Let us wait a little. Go to war. Do something great and brave. Then perhaps you will not uselessly ask my father to give me to you." "What a time you have been away!" she says, with a pretty, slow smile, that has not a particle of embarrassment or consciousness in it, though she is quite aware that Jack Rodney is watching her closely. Perhaps, indeed, she is secretly amused at his severe scrutiny. Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it..