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"What do you mean, John Moore, by daring, daring to think you can go and take Billy away from me?" I demanded, looking at him with what must have been such fear and madness in my face that he was startled as he came close to the table against which I leaned. His face had grown white and quiet at my attack, and he waited to answer for a long horrible minute that pulled me apart like one of those inquisition machines they used to torture women with when they didn't know any better modern way to do it. "I say, Molly, look at the frog I bringed you!" he exclaimed as he came close under the sill, which is not high from the ground. "If you put your face down to the mud and sing something to 'em, they'll come out of their holes. A beetle comed, too, but I couldn't ketch 'em both. Lift me up, and I can put him in the waterglass on your table." He held up one muddy hand to me, and promptly I lifted him up into my arms. From the embrace in which he and the frog and I indulged my lace and cambric came out much the worse. It was Dido who spoke first. She noticed that the eyes of her mistress constantly strayed in the direction of "Ashantee," and with the jealousy begotten of deep affection, she guessed that the girl's thoughts were fixed upon the much-hated Maurice. At once she spoke reproachfully, and in the grotesque negro dialect, which, however, coming from Dido's mouth, inspired no one with merriment. "Nor will you--after midday to-morrow. But you will regret if you do not grant me this interview.".