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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. Friday is fine, and towards nightfall grows still milder, until it seems that even in the dawn of October a summer's night may be born. He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,—.
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Conrad
Rodney's heart throbs with passionate relief, yet shame covers him; for he himself, one day, had given her that heather, tied, as he remembers, with that selfsame grass; and she, poor child, had kept it ever since. She had treasured it, and laid it aside, apart from all other objects, among her most sacred possessions, as a thing beloved and full of tender memories; and his had been the hand to ruthlessly lay bare this hidden secret of her soul. Early in the morning a herd of buffalo had been seen feeding on the slopes of the mountains, and some hunters went out to kill them. Travelling carefully up the ravines, and keeping out of sight of the herd, they came close to them, near enough to shoot their arrows, and they began to kill fat cows. But while they were doing this a war party of Snakes that had been hidden on the mountainside attacked them, and the Piegans began to run back toward their camp. This brings the skirmish to an end. Carthy, seeing all is lost, caves in, and, regardless of the prostrate figure of his companion, jumps hurriedly over the low wall, and disappears in the night-mist that is rolling up from the bay. "I really don't know, ma'am. Mitchell gave it to me," says the girl, in an injured tone. Now, Mitchell is Lady Rodney's maid..
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