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"Yes, it certainly is a charm," says Geoffrey slowly "but it puzzles me. I cannot be gay one moment and sad the next. Tell me how you manage it.",

"She has reason," says the old man, earnestly and approvingly, rounding his sentence after the French fashion, as the Irish so often will: "she has said it," he goes on, "she always does say it; she has brains, has my colleen. Ye don't stir out of this house to-night, Mr. Rodney; so make up yer mind to it. With Tim Ryan abroad, an' probably picked up and carried home by this time, the counthry will be all abroad, an' no safe thravellin' for man or baste. Here's a cosey sate for ye by the fire: sit down, lad, an' take life aisy.",

"What a funny boy you are!" says Mona, with a little laugh.,

"It looks like the production of a lunatic,—a very dangerous lunatic,—an habitue of Colney Hatch," muses Geoffrey, who is growing more and more puzzled with the paper's contents the oftener he reads it.

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"What nonsense some people are capable of talking!" says Violet, with a little shrug.,

Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature.",

"It is forever!" he says, incoherently. "Oh, Mona, at least—at least promise you will always think kindly of me.",

At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.