The question troubled her. It struck her with a pang of self-reproach that she had always been indifferent to her mother’s illness, regarding it as more or less imaginary. “It was mental rather than physical, I think,” she answered. “I never knew what brought it about.” “But you haven’t married her—or have you?” asked Joan.!

He was selling the papers like hot cakes; the purchasers too eager to even wait for their change. She wondered, with a little lump in her throat, how many would have stopped to buy had he been calling instead: “Discovery of new sonnet by Shakespeare. Extra special.” “I should keep out of it if I were you,” laughed Joan.

“I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.” “I didn’t know it was going to be such a swell affair, or I shouldn’t have come,” he said. “The Cyril Baptiste,” he answered, in a low, even, passionate voice, that he flung at her almost like a blow. “The atheist, the gaol bird, the pariah, the blasphemer, the anti-Christ. I’ve hoofs instead of feet. Shall I take off my boots and show them to you? I tuck my tail inside my coat. You can’t see my horns. I’ve cut them off close to my head. That’s why I wear my hair long: to hide the stumps.”