"Why should I loathe it?" Fleda asked with a strained smile. Then, before Mrs. Gereth could reply, she pursued: "I'm thinking of his general undertaking—to give her the house as she originally saw it." "Of the old things?" Fleda had selected a third-class compartment: she stood a moment looking into it and at a fat woman with a basket who had already taken possession. "Always?" she said, turning again to her companion. "Never!" she exclaimed. She got into the carriage, and two men with bags and boxes immediately followed, blocking up door and window so long that when she was able to look out again Mrs. Gereth had gone.!

"Painful?" Mrs. Gereth stared. "What pain can I ever feel again?" Fleda felt herself flush slightly, but she tried to smile. "Did you tell her all about it? Did you make her understand you want me?"

"No, but he has told you. That's better still!" laughed Mrs. Gereth. "My dear child," she went on with an air that affected the girl as a sort of blind profanity, "don't try to make yourself out better than you are. I know what you are. I haven't lived with you so much for nothing. You're not quite a saint in heaven yet. Lord, what a creature you'd have thought me in my good time! But you do like it, fortunately, you idiot. You're pale with your passion, you sweet thing. That's exactly what I wanted to see. I can't for the life of me think where the shame comes in." Then with a finer significance, a look that seemed to Fleda strange, she added: "It's all right." "How do I know, with my wretched relations with him?" Mrs. Gereth asked. She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.