CHAPTER I "Ah, when it isn't mere misery!" The words had broken from her in a sudden loud cry, and what next happened was that the very sound of her pain upset her. She heard her own true note; she turned short away from him; in a moment she had burst into sobs; in another his arms were round her; the next she had let herself go so far that even Mrs. Gereth might have seen it. He clasped her, and she gave herself—she poured out her tears on his breast; something prisoned and pent throbbed and gushed; something deep and sweet surged up—something that came from far within and far off, that had begun with the sight of him in his indifference and had never had rest since then. The surrender was short, but the relief was long: she felt his lips upon her face and his arms tighten with his full divination. What she did, what she had done, she scarcely knew: she only was aware, as she broke from him again, of what had taken place in his own quick breast. What had taken place was that, with the click of a spring, he saw. He had cleared the high wall at a bound; they were together without a veil. She had not a shred of a secret left; it was as if a whirlwind had come and gone, laying low the great false front that she had built up stone by stone. The strangest thing of all was the momentary sense of desolation.!

"Ah, all the while you cared?" Owen read the truth with a wonder so great that it was visibly almost a sadness, a terror caused by his sudden perception of where the impossibility was not. That made it all perhaps elsewhere. Fleda, downstairs, learned soon enough what this was. It was simply that, as he announced the moment he stood before her, he was now all right. When she asked him what he meant by that state he replied that he meant he could practically regard himself henceforth as a free man: he had had at West Kensington, as soon as they got into the street, such a horrid scene with Mrs. Brigstock.

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Whatever we hear, I must go." As the cab went on she added: "But I needn't drag you to the station." "That's what he calls it," said Fleda.