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“Say, fellows, business now, and no questions asked. There’s a hitch on the stage. Storm, wrap that cloak round you—don’t wait for fixings—and get to your place in the wings, quick! When I say ‘Go,’ take Rain’s hand, crouch low, run to the centre, and between you yank that snow tank off the stage. Sabe?” Molly enjoyed the attentions of Betty and contentedly chewed her cud. Whenever Betty leaned forward to caress the camel, Molly rolled out some square inches of tongue and licked the glowing cheek of her little mistress. An altogether adorable if somewhat familiar camel was the old black cow. Even the white chickens followed in a cackling bunch as they always did when Billy appeared at this hour, for it was almost feeding time. And the pigeons wheeled and whirred, lighting almost under foot only to be up and off again, a flash of white and gray..

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“She’s been stolen, mother! But I’ll find her—I know where to look. Don’t be afraid, mother, I will find her!” he repeated with grave emphasis, as he whipped out his knife and cut the dog loose. “The tank must have run over, Billy. You forgot to shut it off.” Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “Oh, Billy To-morrow! You won’t have half time enough to play. You’re a regular Mexican,—always mañana!”.