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"It is not a bad name in Ireland. There are very good people of that name: the Vincent Scullys,—everybody has heard of them," says Violet, gently. But her friend will not consent to believe anything that may soften the thought of Mona. The girl has entrapped her son, has basely captured him and made him her own beyond redemption; and what words can be bad enough to convey her hatred of the woman who has done this deed? "There were," confesses Geoffrey, reluctantly, and in a low tone. "I wish now from my soul it had been otherwise. I regret much that has taken place." "Tell me again how it all happened," he says, laying his hands on her shoulders. And then she goes through it again, slowly, carefully..

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"Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man. "Nicholas, what is the meaning of this?" says Geoffrey, a few moments later, coming up with a darkening brow to where Nicholas is leaning against a wall. "What has possessed Mona to give that fellow a dance? She must be mad, or ignorant, or forgetful of everything. She was with you: why did you not prevent it?" "If you would only hear me——" "Do not stir. Your head is badly cut, an' it bleeds still," says Mona, with a shoulder. "I cannot stop it. Oh, what shall I do?".