She was absent from luncheon, where indeed Fleda had enough to do to look Owen in the face; there would be so much to make that hateful in their common memory of the passage in which his last visit had terminated. This had been her apprehension at least; but as soon as he stood there she was constrained to wonder at the practical simplicity of the ordeal—a simplicity which was really just his own simplicity, the particular thing that, for Fleda Vetch, some other things of course aiding, made almost any direct relation with him pleasant. He had neither wit, nor tact, nor inspiration: all she could say was that when they were together the alienation these charms were usually depended on to allay didn't occur. On this occasion, for instance, he did so much better than "carry off" an awkward remembrance: he simply didn't have it. He had clean forgotten that she was the girl his mother would have fobbed off on him; he was conscious only that she was there in a manner for service—conscious of the dumb instinct that from the first had made him regard her not as complicating his intercourse with that personage, but as simplifying it. Fleda found beautiful that this theory should have survived the incident of the other day; found exquisite that whereas she was conscious, through faint reverberations, that for her kind little circle at large, whom it didn't concern, her tendency had begun to define itself as parasitical, this strong young man, who had a right to judge and even a reason to loathe her, didn't judge and didn't loathe, let her down gently, treated her as if she pleased him, and in fact evidently liked her to be just where she was. She asked herself what he did when Mona denounced her, and the only answer to the question was that perhaps Mona didn't denounce her. If Mona was inarticulate he wasn't such a fool, then, to marry her. That he was glad Fleda was there was at any rate sufficiently shown by the domestic familiarity with which he said to her: "I must tell you I've been having an awful row with my mother. I'm engaged to be married to Miss Brigstock." "Should I love him for all he has made you suffer?"!

Sadly and submissively Fleda shook her head; the slow tears had come into her eyes. "I can't. I don't understand—I don't understand!" she broke out. "To take means?" Fleda repeated.

"What else can I really pretend when you threaten so to cast me off if I speak the word myself?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "I like that!" he laughed. "How came you not to let me know that you were there?"