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"We're going to see the decoration—the one Elinor made for the church, you know," said Patricia to Miriam as they left the festive, disheveled sitting-room to the rejuvenating hands of Hannah Ann and Henry, and went with the chatting crowd into the big studio again. "Bruce wouldn't have the luncheon in here because we couldn't get a good view of it if the place was cluttered up with tables and things. He's fearfully proud of it. He says it's as good as lots of regular artists could do." Judith's voice came plaintively from her room. "Baal! the wand of sleep! the bringer of death!".
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Conrad
Patricia had barely clicked the bolts in the glass upper doors and heard the heavy clash of the wooden contact as Bruce slid the great leaves of the big door into place, when with a swish and sweep the storm broke. I hurried all I could, but for long minutes I stood in front of my mirror and questioned myself. Could this slow, pale, dead-eyed, slim, drooping girl be the rollicking girl of a Molly who had looked out of that mirror at me one short week ago? Where were the wings on her heels, the glint in her curls, the laugh on her mouth, and the light in her eyes? Patricia put her questions tremblingly, for she feared the stern, strange face of the boy in knickerbockers. She had seen him playing and shouting in the square on other days, and the change was so great that she felt death alone could have wrought it. But he answered evenly that 'Geraldine was just the same,' and was closing the door when Patricia stopped him. After a hasty parley, on his part, at first stubborn and then yielding, the door closed and Patricia, with beating heart, ran down the steps and hurried to the side of the house where the long windows of the drawing room protruded their iron balconies over the sidewalk. "Litz-Tarlton, wasn't it?" asked David. "O.K. for me, and Tommy is a good-natured brute, who doesn't care where he feeds, so that he feeds.".
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