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"Don't say it! don't!" cries Mona, in an agony, stopping his mouth with her hand. "Do not! Yes, I give in. I will go with you. I will marry you any time you like, the sooner the better,"—feverishly; "anything to save your life!" Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome. "Well, perhaps I was," says Geoffrey, easily: "we are all mad on one subject or another, you know; mine may be Mona. She is an excuse for madness, certainly. At all events, I know I am happy, which quite carries out your theory, because, as Dryden says,—.
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She is plainly very much in earnest, and has fixed her large expressive eyes—lovely as loving—with calm expectancy upon the duchess. She has altogether forgotten that she is a duchess (perhaps, indeed, has never quite grasped the fact), and that she is an imposing and portly person not accustomed to exercise of any description. Mr. Moore is her landlord, and the owner of the lovely wood behind Mangle Farm where Geoffrey came to grief yesterday. "I will come, of course," says Mona, nervously, "but I am afraid she will be disappointed. You will excuse me, Mr. Rodney, I am sure," turning graciously to Paul, who is standing with folded arms in the background. "It was rather better than I anticipated, thank you," not in the haughty tone adopted by her half an hour ago, but, in an unnerved and frightened whisper..
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