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"Oh, no, not that," says Mona. "Poor Ireland! Every one either laughs at her or hates her. Though I like my adopted country, still I shall always feel for old Erin what I could never feel for another land." "What a little patriot!" says Rodney, pretending fear and stepping back from her. "Into what dangerous company have I fallen! And with what an accent you say 'your queen'! Do you then repudiate her? Is she not yours as well? Do you refuse to acknowledge her?" "Oh, Geoffrey, wasn't it well you went to Ireland and met Mona? Because if you had stayed on here last autumn we might have been induced to marry each other, and then what would have become of poor Jack?".
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Conrad
Then he turns his head away again to let his eyes rest on Mona, as though nowhere else can peace or comfort be found. They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by. "Eh, but this is bad news!" says old Scully, evidently terrified and disheartened by his niece's words. "Where will it all end? Come in, Misther Rodney: let me look at ye, boy. No, not a word out of ye now till ye taste something. 'Tis in bits ye are; an' a good coat it was this mornin'. There's the whiskey, Mona, agra, an' there's the wather. Oh! the black villain! Let me examine ye, me son. Why, there's blood on ye! Oh! the murthering thief!" "But I have to do with him," says Mona, distinctly..
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