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She is country bred, and clothed in country garments, yet her beauty is too great to be deniable. She is not "divinely tall," but rather of medium height, with an oval face, and eyes of "heaven's own blue." Their color changes too, and deepens, and darkens, and grows black and purple, as doth the dome above us. Her mouth is large, but gracious, and full of laughter mixed with truth and firmness. There is no feature that can so truly express character as the mouth. The eyes can shift and change, but the mouth retains its expression always. At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "It is true," puts in Mona. "How could he tell when the coast was clear for his escape, unless he took a little peep?".
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Conrad
"Oh, do not open that—do not!" says Mona, hastily, in an agony of fear, to judge by her eyes, laying a deterring hand upon his arm. "Oh, is that their name?—a pretty one too—if—er—somewhat difficult," says Lady Lilias, courteously. "Well as I was saying, in spite of their tails, they really are quite pretty." Again he went into the lodge, and when the man-eater saw him he cried out, "How, how, how! the fat young man has survived!" and he seemed surprised. Again he took his knife and cut the throat of Kŭt-o-yĭs´ and threw him into the kettle. Again when the meat was cooked he ate it, and when the little girl asked for the bones again he gave them to her. She took them out and threw them to the dogs, crying, "Kŭt-o-yĭs´, the dogs are eating you," and again Kŭt-o-yĭs´ arose from the bones. Though uncertain that she regards him with any feeling stronger than that of friendliness (because of the strange coldness that she at times affects, dreading perhaps lest he shall see too quickly into her tender heart), yet instinctively he knows that he is welcome in her sight, and that "the day grows brighter for his coming." Still, at times this strange coldness puzzles him, not understanding that.
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