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The marchioness, who may now more properly be called Maria de Vellorno, inflamed, by artful insinuations, the passions already irritated, and heightened with cruel triumph his resentment towards Julia and Madame de Menon. She represented, what his feelings too acutely acknowledged,—that by the obstinate disobedience of the first, and the machinations of the last, a priest had been enabled to arrest his authority as a father—to insult the sacred honor of his nobility—and to overturn at once his proudest schemes of power and ambition. She declared it her opinion, that the Abate was acquainted with the place of Julia's present retreat, and upbraided the marquis with want of spirit in thus submitting to be outwitted by a priest, and forbearing an appeal to the pope, whose authority would compel the Abate to restore Julia. He reached his chamber, and having shut the door, surveyed the room in fearful examination. Ideal forms flitted before his fancy, and for the first time in his life he feared to be alone. Shame only withheld him from calling Baptista. The gloom of the hour, and the death-like silence that prevailed, assisted the horrors of his imagination. He half repented of the deed, yet deemed it now too late to obviate it; and he threw himself on his bed in terrible emotion. His head grew dizzy, and a sudden faintness overcame him; he hesitated, and at length arose to ring for assistance, but found himself unable to stand. Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..
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Conrad
“But you should be among the best, Johnny Blossom.” “It seems to me that you fellows hit on a really excellent plan to occupy your time during the summer. Who thought of it?” he asked after examining the plot. John kept on eating and talking. “Nils is a bad boy, Mother. When he talks to his mother, he keeps the side of his face toward her perfectly sober; but he makes faces with the side toward us. It is awfully funny and we laugh; and Mrs. Lind thinks we are laughing at her, and then she scolds, and oh! her scolding is so funny!” “She’s dead,” said Johnny..
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