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But Mona will not be entreated; sweetly, but firmly, she declines to alter the sobriquet given her so long ago now. With much gentleness she tells Lady Rodney that she loves the name; that it is dearer to her than any other could ever be; that to be Mrs. Geoffrey is the utmost height of her very heighest ambition; and to change it now would only cause her pain and a vague sense of loss. During the past month he has grown singularly domestic, and fond of home and its associations. Perhaps Violet has something to do with this, with her little calm thoroughbred face, and gentle manners, and voice low and trainante. Yet it would be hard to be sure of this, Captain Rodney being one of those who have "sighed to many," without even the saving clause of having "loved but one." Yet with regard to Mona there is no mistake about Jack Rodney's sentiments. He likes her well (could she but know it) in all sincerity. Just now his forehead is drawn up into a deep frown, as he reads the fatal letter that has reduced his mother to a Niobe. Another young man, his brother, Captain Rodney, who is two or three years younger than he, is looking over his shoulder, while a slight, brown-haired, very aristocratic looking girl is endeavoring, in a soft, modulated voice, to convey comfort to Lady Rodney..

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After that night the two women were never seen again. "Well, Jack is home by this time, I suppose,—that's my second brother; at least he was expected yesterday; and Violet Mansergh is very often there; and as a rule, you know, there is always somebody; and that's all." Do paint the meadows with delight." "Don't say anything more," says the girl, almost passionately, drawing back from him as though afraid of herself. "Do not. The more you say now, the worse it will be for me by and by, when I have to think. And—and—it is all quite impossible.".