Powerplay tuesday

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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

“But, Jerry, how about the Labyrinth? We found it—don’t you want to have a hand in what happens next?”,

Sad strains are faintly heard to swell:,

Meanwhile madame developed to the Abate the distressful story of Julia. She praised her virtues, commended her accomplishments, and deplored her situation. She described the characters of the marquis and the duke, and concluded with pathetically representing, that Julia had sought in this monastery, a last asylum from injustice and misery, and with entreating that the Abate would grant her his pity and protection.

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In the late afternoon of the second day, after they had slipped silently by the towering walls of the canyon which here came down sharply into the river, and had swung around a bend, Jerry sighted the first rough going.,

MARIA DE MAZZINI.,

“And I was too late,” put in the boy. “Bob had beaten me to it. I was sure some glad when I found the old wall was safe. It was the thing I feared most as I rode for the soldiers—that Miguel would give the signal before I could get back. I sort of had a hunch that it was Bob who had had a hand in it and I went to his room to tell him I was on his side. But you wouldn’t let me, Bob,” he finished.,

“No. Nobody stood on the table but me,” said Johnny Blossom. “And they didn’t shake hands with any one else either; and that is as true—as true”—