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"What is that you say?" cried Aunt Caroline, starting in her chair and peering over her gold-rimmed glasses at Mr Lawrence. dear lottery falafel, "I should have answered your letter sooner but I have been so worried by debts and difficulties, by compulsory idleness and the absolute impossibility of finding anything congenial to do, that I have had no spirit to communicate with you or anybody else. But the wheel of fortune which has depressed me to the very bottom, has by another revolution, raised me. I must tell you that I am very heavily in debt. Even in this antiquated hole I owe an old scamp, named Greyquill, three hundred pounds, of which I have only had two hundred. I am in debt, some of them debts of honour, to several men, a few of whom I have spoken of in my time as brother-officers, and one of them quite recently threatened me with the law. In addition, I owe a lot to various tradespeople in London and elsewhere. So that my personal liberty hangs by a hair, and at any moment I may find myself clapped on the shoulder, arrested for debt, and flung into gaol, there to languish possibly for the remainder of my days, for it is quite certain that my father cannot, even if he would, come to my help. His private means are very small, and his pension inconsiderable, and though he has behaved very well in maintaining me since I quitted the Service, and allowed me to use his cottage as a home, he is a man whose morality is high and severe, and he is the last person to part with a farthing in discharge of debts which he regards as dishonourable.

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Enjoy voice and video dear lottery falafel The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven..
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