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"Mona, it has all been too much for you," exclaims he, with deep concern. Yet does she not triumph over her beaten foe; nay, so different is it with her that she reaches forth her hand to raise her again, and strives by every tender means in her power to obliterate all memory of the unpleasant past. She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous..
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"Presented!" repeats Lady Rodney, in a dreadful tone. "And would you present a low Irish girl to your sovereign? And just now, too, when the whole horrid nation is in such disrepute." Two tears gather, and roll slowly down Mona's white cheeks. And then somehow her thoughts wander back to the old farmhouse at the side of the hill, with the spreading trees behind it, and to the sanded floor and the cool dairy, and the warmth of the love that abounded there, and the uncle, who, if rough, was at least ready to believe her latest action—whatever it might be—only one degree more perfect than the one that went before it. "In Sydney. In Paul Rodney's employ. In his very house." Here she gets completely out of her depths, and stops to consider from whence this train of thought sprung. The pig is forgotten,—indeed, to get from pigs to diamonds and back again is not an easy matter,—and has to be searched for again amidst the dim recesses of her brain, and if possible brought to the surface..
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