"It was fortunate for you," said Fleda, "that she's apparently not aware of the manner in which, almost under her nose, you advertised me to him at Poynton." Like lightning he had grasped her arm. "You mean you will talk of them?" Then as he began to take the flood of assent from her eyes: "You will listen to me? Oh, you dear, you dear—when, when?"!

Fleda received with the same stoicism the quiet immensity of this allusion to the person who had not known how. But it made her think a little, and the thought found utterance, with unconscious irony, in the simple interrogation: "Mona?" "Anything you don't know I dare say I can tell you!" Owen observed as he impatiently smoothed his hat with the cuff of his coat.

Fleda wondered whether Mona did; and this made it all the finer of her to exclaim in a moment: "You don't know what I shall call her if she holds out!" "She will, as soon as her mother gets home and tells her." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"